Home Stretch

This exhibition was meant to extract the data from music pieces and display different ways to create an alternate relationship to listening. The field recordings were initially created in order to cater a musical experience at their specific locations. In order to exhibit this project in one location, the relationship between the recording and the place had to become fractured. This fracturing allowed for the work to focus on deconstructing the recordings themselves as assemblages of musical data. This data was then processed to create both digital and physical artifacts to be displayed for the exhibition. The physical aspect consisted of three-dimensional artifacts created from the sound data, while the digital focused on reflecting on this sense of fracturing between the music and the natural spaces they originated from.